A Theory Upon Origin of Implicit Musical Language
Identifieur interne : 000244 ( Main/Exploration ); précédent : 000243; suivant : 000245A Theory Upon Origin of Implicit Musical Language
Auteurs : P. Vas J ZsefSource :
- Health Psychology Research ; 2015.
Abstract
The author suggests that the origin of musicality is implied in an implicit musical language every human being possesses in uterus due to a resonance and attunement with prenatal environment, mainly the mother. It is emphasized that ego-development and evolving implicit musical language can be regarded as parallel processes. To support this idea a lot of examples of musical representations are demonstrated by the author. Music is viewed as a
Url:
DOI: 10.4081/hpr.2015.1932
PubMed: 26973966
PubMed Central: 4768528
Affiliations:
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Le document en format XML
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<author><name sortKey="Vas J Zsef, P" sort="Vas J Zsef, P" uniqKey="Vas J Zsef P" first="P." last="Vas J Zsef">P. Vas J Zsef</name>
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<front><div type="abstract" xml:lang="en"><p>The author suggests that the origin of musicality is implied in an implicit musical language every human being possesses in uterus due to a resonance and attunement with prenatal environment, mainly the mother. It is emphasized that ego-development and evolving implicit musical language can be regarded as parallel processes. To support this idea a lot of examples of musical representations are demonstrated by the author. Music is viewed as a <italic>tone</italic>
of ego-functioning involving the musical representations of bodily and visceral senses, cross-modal perception, unity of sense of self, individual fate of ego, and <italic>tripolar</italic>
and <italic>bipolar</italic>
musical coping codes. Finally, a special form of music therapy is shown to illustrate how can implicit musical language be transformed into explicit language by virtue of participants’ spontaneity, creativity, and playfulness.</p>
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